
When did you last raise a price? And did it survive the first push?
I narrow what you sell until it's worth more, then rebuild the number around the outcome rather than the hours. The reasoning gets written down, so it holds up when you're not in the room to defend it.
For studios that are busy, well-liked, and thinner on margin than they should be.
What I do
Most studios price the same way: look at last year, add a bit, see what the client will stomach, then drop it the moment they hesitate. It holds up until it doesn’t – and then you’re flat out, fully booked, and somehow still not making money.
Two things are tangled together. Your offer is fuzzy: “we do branding and digital” gives a prospect nothing to judge you on except price. And your pricing is built on time – hours, day rates, rounds – which made sense when production was the hard part. Now a client watches a model knock out a first draft over lunch and recalculates what you’re worth.
So I sharpen the offer until it’s specific enough to carry a premium, then rebuild the pricing so it’s tied to the outcome, not the clock. Not a pricing workshop – I do the work with you and we change the number on the next proposal that goes out.
Why Work With Me?
Because I’ve set prices with my own money on the line, not advised on a slide. I co-founded Ester Digital and ran its commercial side, and I’ve watched plenty of good studios undercharge their way into a busy, broke corner. Pricing isn’t a spreadsheet exercise. It’s nerve, plus a reason. I bring both.
Services
What’s Included
The fastest money on the site to fix. We sharpen the offer and rebuild the price around the outcome – and change the number on your next proposal:
A narrower offer
Specific enough that a prospect can repeat it to their boss without you in the room.
Outcomes with a price on them
Repackaged from deliverables-by-the-hour into outcomes people can actually buy.
Real pricing tiers
Where the cheap option mostly exists to make the right one obvious.
A proposal with a reason
Rewritten so the number has a reason behind it, not a guess the client argues down.
The words to hold a price
For you and the team – because the client will push.
Who this is for
This one pays for itself fastest, but only if the work is already worth more than you charge for it.
- Your prices haven't moved in two years.
- You quote, then soften the number the moment they hesitate.
- You're fully booked and the margin doesn't show it.
- Your proposal is a list of deliverables and a total at the bottom.
- Your problem is costs rather than prices.
- You want a spreadsheet template and a formula.
How the pricing gets fixed
Four stages. The number changes on the next proposal that goes out.
Read the deals
I go through your won and lost proposals looking for the moment the price stopped being defended. It's usually the same moment every time.
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Cut it back
We take things out until what's left is one thing you're obviously the answer to.
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Reprice it
I rebuild the number against the outcome and write the reasoning down, so it survives being questioned by someone who wasn't in the room.
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Rehearse the pushback
I sit with whoever quotes and we run the objections out loud until the answer stops sounding apologetic.
Other ways I can help
Money left on the table?
Offer & Pricing FAQ
How long before I can actually charge more?
The model and the language can be ready in weeks. The teardown alone often surfaces a price you could raise on the next proposal. Holding it consistently across the team takes a bit longer.
Will my team actually hold the new prices?
That’s half the job, and the half most pricing advice skips. I give them the reasoning and the words, so holding the line doesn’t depend on you being in every call.
Isn't "value-based pricing" just a buzzword?
Mostly, the way it’s usually sold. I’m not here to lecture you on a philosophy – I’m here to change the number on your next proposal and give you a reason you can defend.
A big client says they'll walk if I raise the price. Now what?
Then you find out what that client is really worth. Sometimes you hold and they stay, because moving is a hassle and they value you. Sometimes they go, and you discover they were the account capping your margin and your nerve. We plan for both before the conversation.
We work on retainers, not projects. Does this still apply?
Yes, and retainers are often where the worst pricing hides, because the scope creeps and the fee doesn’t. We fix what the retainer actually covers and what it’s worth.
What if my real problem is costs, not prices?
Then I’ll say so. Sometimes the margin leak is in delivery, not the rate card – that’s an operations job, not a pricing one. The teardown tells us which it is before you spend on the wrong fix.



